Drum this Into Your PM Head!

kimberly-rocking-out.JPGHaving been told my whole life that sometimes I can be a bit too intense, it was enormously liberating to finally find an environment where I blended right in: a drum circle of more than 50 passionate lunatics banging away like they were being paid by the decibel. These were not people in search of cutting edge project management best practices. They were seekers of enlightenment in a workshop at Esalen, an idyllic setting on the California coast just south of a town called Big Sur (quite the misnomer because there is nothing “big” about this town: it’s somewhere between the “Slow” and “Resume Speed” signs on Highway 1). As much as I tried not to think about the PMBOK and other icons of our business world, I couldn’t help but notice a few particularly relevant metaphors in the cacophony. Here’s some of what I learned about communication while relentlessly thumping a dead piece of goat skin stretched across a hollowed out log:

  • Listen first. It’s easy to start making noise, but you’ve really got to listen to what’s going on first before you can contribute something that works.
  • Value silence. Sometimes it’s the spaces between the sounds that matter most.
  • Leave room for other voices. Inexperienced drummers play a lot of notes. More skilled players know that making as big of a racket as possible isn’t the point.

Later this week I’ll share some of the other hallucinations I had about project management while drumming, like how it relates to teamwork, shared control and leadership.

Are there any musicians out there? Do me a favor – put down your saxophone and leave a comment sharing what you’ve learned about people and teams through music and rhythm.

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About the Author

Kimberly Wiefling

Kimberly Wiefling is the author of one of the top project management books in the US, "Scrappy Project Management - The 12 Predictable and Avoidable Pitfalls Every Project Faces", and the founder of Wiefling Consulting, LLC, a scrappy global consulting enterprise committed to enabling her clients to achieve highly unlikely or darn near impossible results, predictably and repeatedly. Her work focuses on keynote speaking and workshops on practical and sensible business leadership and project/program management scaled for the size of the company and the project. She has worked with companies of all sizes, including one-person ventures and those in the Fortune 500, and she has helped to launch and grow more than half a dozen startups, a few of which are reaping excellent profits at this very moment. She spends about half of her time working with Japan-based companies that are committed to developing truly global leaders. Kimberly holds a B.S. in Chemistry and Physics from Wright State University and a M.S. in Physics from Case Institute. She spent 10 years at HP working in product development project management and engineering leadership. She worked with several startups, including a Xerox Parc spinoff where she was the VP of Program Management. In 2001 she launched her consulting practice and never looked back. She holds a certificate in project management through UC Santa Cruz Extension, where she is an instructor in the Project and Program Management Certificate Program. Kimberly spends about half of her time facilitating leadership, communication and execution excellence workshops for leaders of Japanese companies committed to becoming truly global. Thousands of people have viewed the hysterical video documenting the final phase of completing her book at www.youtube.com/watch?v=KDCJBu3rdvk. You can reach her via email at kimberly@wiefling.com
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One Response to “Drum this Into Your PM Head!”

  1. As a professional musician in a past career lifetime, I can relate to lessons learned from this experience.

    I found while trying to perfect the presentation of a piece, whether for competition or recording, that when I recorded a song and played it back, I systemically got better. That’s because I received FEEDBACK from an unbiased media. Indeed, some of the best expressions came from the pauses or silence. In performing, from my point of view, I needed to keep putting the music out there. However, from the listeners point of view, the pauses or gaps led to dramatic tension that improved the listening experience. I could only come to this realization by making the effort to get objective feedback.

    I also found that people responded when I performed. If I’d never taken the risk to perform in public, I’d never gotten the encouragement to keep on going, practice to get better, and be invited to a variety of venues. Fortunately, I also had a sponsor–my mother–who encouraged me to keep practicing.

    These simple lessons from music are invaluable to the practice of project management.

    Randy Englund, http://www.englundpmc.com

    Reply

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